“Masterfully structured and rich in theme; the action is well crafted, well timed, suspenseful.”—The New York Times Book Review

“The characterizations of all the boys are superb.”—School Library Journal, Starred

“Compellingly immediate. . . . Readers will respect the uncompromising ending.”—Kirkus Reviews, Starred

An ALA Best Books for Young Adults

A New York Times Outstanding Books of the Year Amazon.com Review
Does Jerry Renault dare to disturb the universe? You wouldn’t think that his refusal to sell chocolates during his school’s fundraiser would create such a stir, but it does; it’s as if the whole school comes apart at the seams. To some, Jerry is a hero, but to others, he becomes a scapegoat–a target for their pent-up hatred. And Jerry? He’s just trying to stand up for what he believes, but perhaps there is no way for him to escape becoming a pawn in this game of control; students are pitted against other students, fighting for honor–or are they fighting for their lives? In 1974, author Robert Cormier dared to disturb our universe when this book was first published. And now, with a new introduction by the celebrated author, The Chocolate War stands ready to shock a new group of teen readers.

It used to be that Belly counted the days until summer, until she was back at Cousins Beach with Conrad and Jeremiah. But not this year. Not after Susannah got sick again and Conrad stopped caring. Everything that was right and good has fallen apart, leaving Belly wishing summer would never come.

But when Jeremiah calls saying Conrad has disappeared, Belly knows what she must do to make things right again. And it can only happen back at the beach house, the three of them together, the way things used to be. If this summer really and truly is the last summer, it should end the way it started–at Cousins Beach.

Cute, available, and one cabin over

Lori lives for summertime on the lake. She spends all season wakeboarding, swimming, and hanging with her friends — including the two hotties in the house next door. With the Vader brothers, Lori’s always been one of the guys.

But while Lori and the “baby” brother, Adam, are inseparable friends, she can’t deny a secret crush on Sean, the older Vader boy. This year Sean’s been paying Lori a lot of attention, and not in a brotherly way.

But just as Lori decides to prove to Sean she’s girlfriend material, she realizes that her role as girl friend to Adam may be even more important. And by trying so hard for the perfect summer romance, she could be going way overboard….

The mysterious Mr. Socrates rescues Modo, a child in a traveling freak show. Modo is a hunchback with an amazing ability to transform his appearance, and Mr. Socrates raises him in isolation as an agent for the Permanent Association, a spy agency behind Brittania’s efforts to rule the empire. At 14, Modo is left on the streets of London to fend for himself. When he encounters Octavia Milkweed, another Association agent, the two uncover a plot by the Clockword Guild behind the murders of important men. Furthermore, a mad scientist is turning orphan children into automatons to further the goals of the Guild. Modo and Octavia journey deep into the tunnels under London and discover a terrifying plot against the British government. It’s up to them to save their country.

Everything changes the day ninth-grader Will Tuppence learns one startling fact: protons-those tiny atomic particles, the building-blocks to the building-blocks of life-can die. The one thing that was so certain in this world to Will has an expiration date.

And Will′s carefully planned-out life?

Not so certain, either.

Newbery Medalist Jerry Spinelli tips Will′s world on its side to show that the beauty and wonder of life is in not knowing what comes next.

Ages: 10+

Will the Redwallers risk the fate of their Abbey and all of Mossflower Wood to save their precious young ones from imprisonment? Perhaps Buckler, Blademaster of the Long Patrol, can save the day. He has a score of his own to settle. And fear not, these Dibbuns are not as innocent as they appear. After all, they’re from Redwall.

“An authentic work of great talent.”—The New York Times Book Review

“Christopher Paolini make[s] literary magic with his precocious debut.”—People

“Unusual, powerful, fresh, and fluid.”—Booklist, Starred

“An auspicious beginning to both career and series.”—Publishers Weekly

A New York Times Bestseller

A USA Today Bestseller

A Wall Street Journal Bestseller

A Book Sense Bestseller

From the Hardcover edition. Amazon.com Review
Here’s a great big fantasy that you can pull over your head like a comfy old sweater and disappear into for a whole weekend. Christopher Paolini began Eragon when he was just 15, and the book shows the influence of Tolkien, of course, but also Terry Brooks, Anne McCaffrey, and perhaps even Wagner in its traditional quest structure and the generally agreed-upon nature of dwarves, elves, dragons, and heroic warfare with magic swords.

Eragon, a young farm boy, finds a marvelous blue stone in a mystical mountain place. Before he can trade it for food to get his family through the hard winter, it hatches a beautiful sapphire-blue dragon, a race thought to be extinct. Eragon bonds with the dragon, and when his family is killed by the marauding Ra’zac, he discovers that he is the last of the Dragon Riders, fated to play a decisive part in the coming war between the human but hidden Varden, dwarves, elves, the diabolical Shades and their neanderthal Urgalls, all pitted against and allied with each other and the evil King Galbatorix. Eragon and his dragon Saphira set out to find their role, growing in magic power and understanding of the complex political situation as they endure perilous travels and sudden battles, dire wounds, capture and escape.

In spite of the engrossing action, this is not a book for the casual fantasy reader. There are 65 names of people, horses, and dragons to be remembered and lots of pseudo-Celtic places, magic words, and phrases in the Ancient Language as well as the speech of the dwarfs and the Urgalls. But the maps and glossaries help, and by the end, readers will be utterly dedicated and eager for the next book, Eldest. (Ages 10 to 14) –Patty Campbell

As Clary uncovers more about her family’s past, she finds an ally in mysterious Shadow-hunter Sebastian. With Valentine mustering the full force of his power to destroy all Shadow-hunters forever, their only chance to defeat him is to fight alongside their eternal enemies. But can Downworlders and Shadowhunters put aside their hatred to work together? While Jace realizes exactly how much he’s willing to risk for Clary, can she harness her newfound powers to help save the Glass City — whatever the cost?

Love is a mortal sin and the secrets of the past prove deadly as Clary and Jace face down Valentine in the final installment of the New York Times bestselling trilogy The Mortal Instruments.

Behind Rosewood’s grand façades, where the air smells like apples and Chanel No. 5 and infinity pools sparkle in landscaped backyards, nothing is as it seems. It was here, back in seventh grade, that five best friends shared everything—Seven jeans, MAC makeup, and their deepest, darkest secrets. For Aria, Spencer, Hanna, and Emily, it was a dream come true . . . until Alison, the most beautiful of them all, suddenly vanished.

Now someone named A has turned their charmed lives into a living nightmare. Emily has been shipped off to her hyper-conservative cousins in Iowa. Aria is stuck living with her dad and his home-wrecker girlfriend. And Spencer fears she had something to do with Alison’s murder. But Hanna’s fate is far worse than all of that—she’s clinging to life in the hospital, because she knew too much.

With A’s threats turning dangerous and Ali’s killer still on the loose, the girls must uncover the truth—about A, about Ali, and about what happened to Hanna—before they become A’s next victims. But as they unravel Rosewood’s mysteries and secrets, will it bring an end to the horror . . . or is this just the beginning?

He’d rather die than be one of them, and now Rose must abandon her best friend, Lissa–the one she has sworn to protect no matter what–and keep the promise Dimitri begged her to make long ago. But with everything at stake, how can she possibly destroy the person she loves most?

This deluxe edition includes deleted scenes, never-before-seen art by the author, and a guide to dwarf runes.
 
Following the colossal battle against the Empire’s warriors on the Burning Plains, Eragon and his dragon, Saphira, have narrowly escaped with their lives. Still, there is more at hand for the Rider and his dragon, as Eragon finds himself bound by a tangle of promises he may not be able to keep.
 
First is Eragon’s oath to his cousin Roran: to help rescue Roran’s beloved from King Galbatorix’s clutches. But Eragon owes his loyalty to others, too. The Varden are in desperate need of his talents and strength—as are the elves and dwarves. When unrest claims the rebels and danger strikes from every corner, Eragon must make choices—choices that take him across the Empire and beyond, choices that may lead to unimagined sacrifice.
 
In Eragon lies the greatest hope for a better Alagaësia. Can this once simple farm boy rise to become the leader he must to unite the rebel forces and defeat the king?
 
A #1 New York Times Bestseller
A #1 USA Today Bestseller
A Wall Street Journal Bestseller
A Publishers Weekly Bestseller
An IndieBound Bestseller

Max’s desperate desire to protect Fang brings the two closer than ever. But can the team weather the storm, or will the turmoil rip them apart for the last time?

“Imagination runs wild in Fablehaven. It is a lucky book that can hold this kind of story.” – Obert Skye, Author of Leven Thumps and the Gateway to Foo

For centuries, mystical creatures of all description were gathered to a hidden refuge called Fablehaven to prevent their extinction. The sanctuary survives today as one of the last strongholds of true magic in a cynical world. Enchanting? Absolutely. Exciting? You bet. Safe? Well, actually, quite the opposite. . .

Kendra and her brother Seth have no idea their grandfather is the current caretaker of Fablehaven. Inside the gated woods, ancient laws give relative order among greedy trolls, mischievous satyrs, plotting witches, spiteful imps, and jealous fairies. However, when the rules get broken, an arcane evil is unleashed, forcing Kendra and Seth to face the greatest challenge of their lives. To save her family, Fablehaven, and perhaps the world, Kendra must find the courage to do what she fears most.

In picturesque Rosewood, Pennsylvania, neighbors gossip over picket fences, and gleaming SUVs sit in every crushed-granite driveway. But recently, friendly smiles have been replaced with suspicious glares and accusatory whispers—and it’s all because Hanna, Aria, Emily, and Spencer just can’t keep their mouths shut. . . .

First they claimed they found a dead body in the woods behind Spencer’s house, only to have it vanish without a trace. Then when the same woods went up in flames, they swore they saw someone who’s supposed to be dead rise from the ashes. And even after all that, the pretty little liars are still playing with fire.

Hanna’s trading in her Dior trench for a straitjacket. Aria’s trying to contact the dead. Emily’s dumped her boyfriend and is skipping town . . . again. And Spencer thinks someone in her family has gotten away with murder.

The friends insist they’re telling the truth about what they saw, but all of Rosewood thinks they’re simply out for attention—and nobody likes a girl who cries wolf. So when the big bad killer comes after the girls, will anyone believe them . . . or will they be the next to disappear?

Unbeknownst to mortals, a power struggle is unfolding in a world of shadows and danger. After centuries of stability, the balance among the Faery Courts has altered, and Irial, ruler of the Dark Court, is battling to hold his rebellious and newly vulnerable fey together. If he fails, bloodshed and brutality will follow.

Seventeen-year-old Leslie knows nothing of faeries or their intrigues. When she is attracted to an eerily beautiful tattoo of eyes and wings, all she knows is that she has to have it, convinced it is a tangible symbol of changes she desperately craves for her own life.

The tattoo does bring changes—not the kind Leslie has dreamed of, but sinister, compelling changes that are more than symbolic. Those changes will bind Leslie and Irial together, drawing Leslie deeper and deeper into the faery world, unable to resist its allures, and helpless to withstand its perils. . . .

This year the bestselling summer workbook features new covers, new activities, new reading lists, updated bonus sections, and a whole lot more to give kids a summer learning experience they won’t forget! Designed to keep kids busy, happy, and learning between grades, the NEW Summer Bridge Activities continues to focus on math, reading, writing, and language arts, but also includes new activities in science plus Factoids and fun to-do lists to keep brains and bodies active. Assignments build on one another as children review skills they have just mastered and preview the grade ahead!

New features include Super Summer Science experiments, skills checklists, updated reading lists, revised assignments to meet more diverse state curriculum standards, an updated bonus section, plus an updated cover and a new-look interior.

* Updated bonus section incorporates the new food pyramid and helps kids learn how to eat healthily.

“I can’t just storm in and proclaim my intentions. I can’t ‘steal’ you away. I just have to wait and hope that, someday, you’ll ask,” Tamani said.

“And if I don’t?” Laurel said, her voice barely above a whisper.

“Then I guess I’ll be waiting forever.”

Although Laurel has come to accept her true identity as a faerie, she refuses to turn her back on her human life—and especially her boyfriend, David—to return to the faerie world.

But when she is summoned to Avalon, Laurel’s feelings for the charismatic faerie sentry Tamani are undeniable. She is forced to make a choice—a choice that could break her heart.

Sometimes I feel like I have walked into the middle of a movie. Maybe I can make my own movie. The film will be the story of my life. No, not my life, but of this experience. I’ll call it what the lady who is the prosecutor called me. MONSTER.

FADE IN: INTERIOR COURT. A guard sits at a desk behind Steve. Kathy O’Brien, Steve’s lawyer, is all business as she talks to Steve.

O’BRIEN
Let me make sure you understand what’s going on. Both you and this king character are on trial for felony murder. Felony Murder is as serious as it gets. . . . When you’re in court, you sit there and pay attetion. You let the jury know that you think the case is a serious as they do. . . .

STEVE
You think we’re going to win ?

O’BRIEN (seriously)
It probably depends on what you mean by “win.”

Sixteen-year-old Steve Harmon is on trial for murder. A Harlem drugstore owner was shot and killed in his store, and the word is that Steve served as the lookout.

Guilty or innocent, Steve becomes a pawn in the hands of “the system,” cluttered with cynical authority figures and unscrupulous inmates, who will turn in anyone to shorten their own sentences. For the first time, Steve is forced to think about who he is as he faces prison, where he may spend all the tomorrows of his life.

As a way of coping with the horrific events that entangle him, Steve, an amateur filmmaker, decides to transcribe his trial into a script, just like in the movies. He writes it all down, scene by scene, the story of how his whole life was turned around in an instant. But despite his efforts, reality is blurred and his vision obscured until he can no longer tell who he is or what is the truth. This compelling novel is Walter Dean Myers’s writing at its best.

2000 Coretta Scott King Honor Book, 2000 Michael L. Printz Award, 1999 National Book Award Finalist, 01 Heartland Award for Excellence in YA Lit Finalist, 00-01 Tayshas High School Reading List, and 00-01 Black-Eyed Susan Award Masterlist

2000 Best Books for Young Adults (ALA), Hornbook Fanfare 2000, Michael L. Printz Award 2000, 2000 Coretta Scott King Award Author Honor Book, 2000 Quick Picks for Young Adults (Recomm. Books for Reluctant Young Readers), and 2000 Best Books for Young Adults (ALA)

Amazon.com Review
“Monster” is what the prosecutor called 16-year-old Steve Harmon for his supposed role in the fatal shooting of a convenience-store owner. But was Steve really the lookout who gave the “all clear” to the murderer, or was he just in the wrong place at the wrong time? In this innovative novel by Walter Dean Myers, the reader becomes both juror and witness during the trial of Steve’s life. To calm his nerves as he sits in the courtroom, aspiring filmmaker Steve chronicles the proceedings in movie script format. Interspersed throughout his screenplay are journal writings that provide insight into Steve’s life before the murder and his feelings about being held in prison during the trial. “They take away your shoelaces and your belt so you can’t kill yourself no matter how bad it is. I guess making you live is part of the punishment.”

Myers, known for the inner-city classic Motown and Didi (first published in 1984), proves with Monster that he has kept up with both the struggles and the lingo of today’s teens. Steve is an adolescent caught up in the violent circumstances of an adult world–a situation most teens can relate to on some level. Readers will no doubt be attracted to the novel’s handwriting-style typeface, emphasis on dialogue, and fast-paced courtroom action. By weaving together Steve’s journal entries and his script, Myers has given the first-person voice a new twist and added yet another worthy volume to his already admirable body of work. (Ages 12 and older) –Jennifer Hubert

Nicholas Flamel’s heart almost broke as he watched his beloved Paris crumble before him. The city was destroyed by Dee and Machiavelli, but Flamel played his own role in the destruction. Sophie and Josh Newman show every sign of being the twins of prophecy, and Flamel had to protect them and the pages from the Dark Elders.

But Nicholas grows weaker with each passing day. Perenelle is still trapped in Alcatraz, and now that Scatty has gone missing, the group is without protection. Except for Clarent—the twin sword to Excalibur. But Clarent’s power is unthinkable, its evil making it nearly impossible to use without its darkness seeping into the soul of whoever wields it.

If he hopes to defeat Dee, Nicholas must find an Elder who can teach Josh and Sophie the third elemental magic—Water Magic. The problem? The only one who can do that is Gilgamesh, and he is quite, quite insane.

From the Hardcover edition. Amazon.com Review
The third book in Michael Scott’s “Secrets of the Immortal Nicholas Flamel” series, The Sorceress, kicks the action up to a whole new level. Adding to the series’ menagerie of immortal humans (“humani”) and mythological beasts, the book picks up where The Magician left off: the immortal Nicholas Flamel (of The Alchemyst) and the twins, Sophie and Josh, have just arrived at St. Pancras international train station in London. Almost immediately, they’re confronted with a demonic bounty hunter that immortal magician John Dee has sent their way. At the same time, Dee’s occasional cohort, Niccolo Machiavelli, decides to focus his energy on Perenelle Flamel, the Alchemyst’s wife, who has been imprisoned at Alcatraz since the beginning of the series. In this book, Perenelle gets a chance to show off her sorcery and resourcefulness, fighting and forging alliances with ghosts, beasts, and the occasional Elder to try and find a way out of her predicament and back to Flamel. Scott is as playful as ever, introducing new immortals–famous figures from history who (surprise!) are still alive. He also adds to the roster of fantastical beasts, which already includes such intriguing foes as Bastet, the Egyptian cat goddess, and the Morrigan, or Crow Goddess. Raising the stakes with each installment, Scott deftly manages multiple story lines and keeps everything moving pretty quickly, making this third book a real page-turner. More than just another piece in the puzzle of the whole series, The Sorceress is an adventure in its own right, and will certainly leave series fans wanting more. –Heidi Broadhead

Amazon.com Exclusive: An Interview with Author Michael Scott

Q: What was your inspiration for the series—was it the legend of the Flamels and the Book of Abraham? Did Dee figure in from the start?

Scott: The story really started with Dr. John Dee and, for a long time, he was the hero of the series. I had written about Dee before in my horror novels, Image, (Sphere, UK, 1991), Reflection, (Sphere, UK, 1993) and then The Merchant Prince (Pocket Books, USA, 2000). Dee was a fascinating man, but he was never “right” for the lead character: he was always too dark, too troubled.

I know I started to develop the series on May 18th, 1997, because that is the first time the word “Alchemyst” with the “Y” appears in my notebooks. However, it was really three years later, in late September 2000, when I was in Paris and stumbled across Nicholas Flamel’s house in the Rue de Montmorency that the series really came together. I knew a lot about Flamel and the legendary Book of Abraham and, sitting in Flamel’s home, which is now a wonderful restaurant, I realized that here was the hero for my series.

Nicholas Flamel was one of the most famous alchemists of his day. He was born in 1330 and earned his living as a bookseller (which was the same job I had for many years.) One day he bought a book, the same book mentioned in The Alchemyst: the Book of Abraham. It too, really existed and Nicholas Flamel left us with a very detailed description of the copper-bound book. Although the book itself is lost, the illustrations from the text still exist.

Over the course of his long life, Flamel became extraordinarily wealthy, and used his wealth to found churches, hospitals and schools. Both he and his wife, Perenelle, were very well known in France and across Europe. The streets named after them, the Rue Flamel and the Rue Perenelle, still exist in Paris today.

Q: I was excited to see The Sorceress showing off more of Perenelle. How much does the real Perenelle Flamel influence the character of Perenelle?

Scott: We know little about the historical Perenelle. There are a few solid facts however and I have incorporated them into the story: she was older than Nicholas (there is even the suggestion that she might have been a widow when she married him), and she was also wealthier. It is also abundantly clear that she was the dominant character in the marriage and there is some evidence to suggest that she was an alchemist in her own right.

Q: What’s coming up next?

Scott: Coming up next… well, book 4 brings up back to the west coast of America and San Francisco. And then we head south towards LA (but if I tell you any more I’ll reveal a couple of big surprises!) However, I will tell you that I am just back from a weekend in London where I spent most of Saturday wandering around Covent Garden. You’ll find out why in The Necromancer.

Q: The most fun thing about the series, I think, is how you reveal new immortals as you go along (e.g., Machiavelli, Joan of Arc… I won’t spoil your reveals in The Sorceress, but they’re surprising). How do you decide which famous figure from history will be your next immortal?

Scott: Thank you for not revealing some of the surprises!

Once I had plotted the series, I had a rough idea of the type of characters I wanted to include. My settings—the United States, France and England—suggested certain types of characters. I could not write about Paris, for example, and not include Joan. But there were other characters—Scathach is the perfect example—who was there right from the very beginning. Again, she was someone I had written about before in my early collections of Irish folklore and knew that I wanted to use again.

Also, because this series is based upon legend, mythology and history, it put in place certain rules: the only “created” characters in the series are the twins, Sophie and Josh. Everyone else existed.

Q: You’ve written for adults and young adults—and this series certainly seems to have crossed over into an adult readership. Is the experience any different when you’re writing for younger readers? Do you find that younger readers have a stronger connection to the work, for example?

Scott: I have always written for both adults and young adults, but you are right, the Flamel series has crossed over in an extraordinary way. Writing for young adults requires a certain precision in language. Adults have a body of shared knowledge and information that young adults do not. I can make allusions and references in my adult writing that young adults might not get. My young adult writing tends to be much more descriptive and I will take the time to describe people, places and situations to allow the younger readers to become fully involved in the world.

Younger readers are certainly attracted to the adventure and are thrilled to realize what when they go online they can find out all sorts of additional information about all the characters. The older readers tend to ask more specific questions about the mythological characters.

Q: How is this series different from other young adult books that you’ve written?

Scott: This is the most intricate and ambitious work I’ve done. The six books will take place in less than a month so everything has to knit and mesh together. The notes for this series are now bigger than the books themselves. I have said before that there is nothing accidental in the books. What might look like an inconsistency, for example, is often a clue to something that will happen later on. Because I’ve plotted the entire series, it gives me huge freedom to plant seeds and clues to later events.

Q: Of all the forms you write in—novels, scripts, nonfiction—do you have a favorite?

Scott: Novels. It is the only one of the three where you are in complete control. With a script, for example, everyone has a say and what you see on screen only vaguely resembles what you’ve written.

Q: What’s your favorite genre (to write and to read)?

Scott: I love writing fantasy—and it’s what I read most. However, my rule is when I’m writing fantasy, I will read anything but fantasy. So I end up reading a lot of crime—I’ve got the new John Connolly on the desk to read next—and I’m a huge John Sandford fan. The research for this series is huge (but it’s the part I really enjoy), so I do find myself reading some terribly odd non-fiction.

Q: Have all six of the books in the series already been written? If so, what are you working on now? Is it strange to revisit each of the books as they come out?

Scott: They have all been plotted, but not written. I’m close to the end of The Necromancer now and little bits of book 5, The Warlock, and even the end of book 6, The Enchantress, have been written.

I am also writing and researching a new series, not linked to the Flamel series, which I’m having a lot of fun with. All I’ll say is that it also has its roots in myth. The oddest part of revisiting the books is when I tour. Usually I am touring and reading from a book I finished many months previously. I have to be careful not to reveal any of the forthcoming surprises when I take questions.

Just don’t stay out after dark.

College freshman Claire Danvers has had enough of her nightmarish dorm situation, where the popular girls never let her forget just where she ranks in the school’s social scene: somewhere less than zero.

When Claire heads off-campus, the imposing old house where she finds a room may not be much better. Her new roommates don’t show many signs of life. But they’ll have Claire’s back when the town’s deepest secrets come crawling out, hungry for fresh blood.

It’s time for Sophie to learn the second elemental magic: Fire Magic. And there’s only one man who can teach it to her: Flamel’s old student, the Comte de Saint-Germain—alchemist, magician, and rock star. Josh and Sophie Newman are the world’s only hope—if they don’t turn on each other first.

From the Hardcover edition.

When sixteen-year-old Tessa Gray crosses the ocean to find her brother, her destination is England, the time is the reign of Queen Victoria, and something terrifying is waiting for her in London’s Downworld, where vampires, warlocks and other supernatural folk stalk the gaslit streets. Only the Shadowhunters, warriors dedicated to ridding the world of demons, keep order amidst the chaos.

Kidnapped by the mysterious Dark Sisters, members of a secret organization called The Pandemonium Club, Tessa soon learns that she herself is a Downworlder with a rare ability: the power to transform, at will, into another person. What’s more, the Magister, the shadowy figure who runs the Club, will stop at nothing to claim Tessa’s power for his own.

Friendless and hunted, Tessa takes refuge with the Shadowhunters of the London Institute, who swear to find her brother if she will use her power to help them. She soon finds herself fascinated by—and torn between—two best friends: James, whose fragile beauty hides a deadly secret, and blue-eyed Will, whose caustic wit and volatile moods keep everyone in his life at arm’s length . . . everyone, that is, but Tessa. As their search draws them deep into the heart of an arcane plot that threatens to destroy the Shadowhunters, Tessa realizes that she may need to choose between saving her brother and helping her new friends save the world. . . . and that love may be the most dangerous magic of all.

An essential book both for new fans and for those who grew up loving the comics, The Marvel Encyclopedia is full of artwork, stats, and history for every character in the Marvel Universe. Updates on characters include information from the story arcs of Civil War and Annihilation, and brings fans up to date with the aftermath of Secret Invasion.

TM & © 2009 Marvel Entertainment, Inc. and its subsidiaries. Licensed by Marvel Characters B.V. All rights reserved.

Along with the return of Lyra, Will, Mrs. Coulter, Lord Asriel, Dr. Mary Malone, and Iorek Byrnison the armored bear, come a host of new characters: the Mulefa, mysterious wheeled creatures with the power to see Dust; Gallivespian Lord Roke, a hand-high spymaster to Lord Asriel; and Metatron, a fierce and mighty angel. So, too, come startling revelations: the painful price Lyra must pay to walk through the land of the dead, the haunting power of Dr. Malone’s amber spyglass, and the names of who will live–and who will die–for love. And all the while, war rages with the Kingdom of Heaven, a brutal battle that–in its shocking outcome–will uncover the secret of Dust. Philip Pullman deftly brings the cliff-hangers and mysteries of His Dark Materials to an earthshattering conclusion–and confirms his fantasy trilogy as an undoubted and enduring classic.

From the Hardcover edition. Amazon.com Review
From the very start of its very first scene, The Amber Spyglass will set hearts fluttering and minds racing. All we’ll say here is that we immediately discover who captured Lyra at the end of The Subtle Knife, though we’ve yet to discern whether this individual’s intent is good, evil, or somewhere in between. We also learn that Will still possesses the blade that allows him to cut between worlds, and has been joined by two winged companions who are determined to escort him to Lord Asriel’s mountain redoubt. The boy, however, has only one goal in mind–to rescue his friend and return to her the alethiometer, an instrument that has revealed so much to her and to readers of The Golden Compass and its follow-up. Within a short time, too, we get to experience the “tingle of the starlight” on Serafina Pekkala’s skin as she seeks out a famished Iorek Byrnison and enlists him in Lord Asriel’s crusade:

A complex web of thoughts was weaving itself in the bear king’s mind, with more strands in it than hunger and satisfaction. There was the memory of the little girl Lyra, whom he had named Silvertongue, and whom he had last seen crossing the fragile snow bridge across a crevasse in his own island of Svalbard. Then there was the agitation among the witches, the rumors of pacts and alliances and war; and then there was the surpassingly strange fact of this new world itself, and the witch’s insistence that there were many more such worlds, and that the fate of them all hung somehow on the fate of the child.

Meanwhile, two factions of the Church are vying to reach Lyra first. One is even prepared to give a priest “preemptive absolution” should he succeed in committing mortal sin. For these tyrants, killing this girl is no less than “a sacred task.”

In the final installment of his trilogy, Philip Pullman has set himself the highest hurdles. He must match its predecessors in terms of sheer action and originality and resolve the enigmas he already created. The good news is that there is no critical bad news–not that The Amber Spyglass doesn’t contain standoffs and close calls galore. (Who would have it otherwise?) But Pullman brings his audacious revision of Paradise Lost to a conclusion that is both serene and devastating. In prose that is transparent yet lyrical and 3-D, the author weaves in and out of his principals’ thoughts. He also offers up several additional worlds. In one, Dr. Mary Malone is welcomed into an apparently simple society. The environment of the mulefa (again, we’ll reveal nothing more) makes them rich in consciousness while their lives possess a slow and stately rhythm. These strange creatures can, however, be very fast on their feet (or on other things entirely) when necessary. Alas, they are on the verge of dying as Dust streams out of their idyllic landscape. Will the Oxford dark-matter researcher see her way to saving them, or does this require our young heroes? And while Mary is puzzling out a cure, Will and Lyra undertake a pilgrimage to a realm devoid of all light and hope, after having been forced into the cruelest of sacrifices–or betrayals.

Throughout his galvanizing epic, Pullman sustains scenes of fierce beauty and tenderness. He also allows us a moment or two of comic respite. At one point, for instance, Lyra’s mother bullies a series of ecclesiastical underlings: “The man bowed helplessly and led her away. The guard behind her blew out his cheeks with relief.” Needless to say, Mrs. Coulter is as intoxicating and fluid as ever. And can it be that we will come to admire her as she plays out her desperate endgame? In this respect, as in many others, The Amber Spyglass is truly a book of revelations, moving from darkness visible to radiant truth. –Kerry Fried

While developing a new system to maintain Morganville’s defenses, student Claire Danvers discovers a way to amplify vampire mental powers. Through this, she’s able to re-establish the field around this vampire-infested Texas college town that protects it from outsiders.

But the new upgrades have an unexpected consequence: people inside the town begin to slowly forget who they are-even the vampires. Soon, the town’s little memory problem has turned into a full-on epidemic. Now Claire needs to figure out a way to pull the plug on her experiment- before she forgets how to save Morganville…

But the delicate scales of popularity suddenly shift, and Stargirl is shunned for everything that makes her different. Somewhere in the midst of Stargirl’s arrival and rise and fall, normal Leo Borlock has tumbled into love with her.

In a celebration of nonconformity, Jerry Spinelli weaves a tense, emotional tale about the fleeting, cruel nature of popularity–and the thrill and inspiration of first love. Amazon.com Review
“She was homeschooling gone amok.” “She was an alien.” “Her parents were circus acrobats.” These are only a few of the theories concocted to explain Stargirl Caraway, a new 10th grader at Arizona’s Mica Area High School who wears pioneer dresses and kimonos to school, strums a ukulele in the cafeteria, laughs when there are no jokes, and dances when there is no music. The whole school, not exactly a “hotbed of nonconformity,” is stunned by her, including our 16-year-old narrator Leo Borlock: “She was elusive. She was today. She was tomorrow. She was the faintest scent of a cactus flower, the flitting shadow of an elf owl.”

In time, incredulity gives way to out-and-out adoration as the student body finds itself helpless to resist Stargirl’s wide-eyed charm, pure-spirited friendliness, and penchant for celebrating the achievements of others. In the ultimate high school symbol of acceptance, she is even recruited as a cheerleader. Popularity, of course, is a fragile and fleeting state, and bit by bit, Mica sours on their new idol. Why is Stargirl showing up at the funerals of strangers? Worse, why does she cheer for the opposing basketball teams? The growing hostility comes to a head when she is verbally flogged by resentful students on Leo’s televised Hot Seat show in an episode that is too terrible to air. While the playful, chin-held-high Stargirl seems impervious to the shunning that ensues, Leo, who is in the throes of first love (and therefore scornfully deemed “Starboy”), is not made of such strong stuff: “I became angry. I resented having to choose. I refused to choose. I imagined my life without her and without them, and I didn’t like it either way.”

Jerry Spinelli, author of Newbery Medalist Maniac Magee, Newbery Honor Book Wringer, and many other excellent books for teens, elegantly and accurately captures the collective, not-always-pretty emotions of a high school microcosm in which individuality is pitted against conformity. Spinelli’s Stargirl is a supernatural teen character–absolutely egoless, altruistic, in touch with life’s primitive rhythms, meditative, untouched by popular culture, and supremely self-confident. It is the sensitive Leo whom readers will relate to as he grapples with who she is, who he is, who they are together as Stargirl and Starboy, and indeed, what it means to be a human being on a planet that is rich with wonders. (Ages 10 to 14) –Karin Snelson

Murder. Love. Jealousy. And the ultimate sacrifice. Now, with Rose on trial for her life and Lissa first in line for the Royal Throne, nothing will ever be the same between them.

Do twins begin in the womb?
Or in a better place?

Kaeleigh and Raeanne are identical down to the dimple. As daughters of a district-court judge father and a politician mother, they are an all-American family — on the surface. Behind the facade each sister has her own dark secret, and that’s where their differences begin.

For Kaeleigh, she’s the misplaced focus of Daddy’s love, intended for a mother whose presence on the campaign trail means absence at home. All that Raeanne sees is Daddy playing a game of favorites — and she is losing. If she has to lose, she will do it on her own terms, so she chooses drugs, alcohol, and sex.

Secrets like the ones the twins are harboring are not meant to be kept — from each other or anyone else. Pretty soon it’s obvious that neither sister can handle it alone, and one sister must step up to save the other, but the question is — who?

Guided only by a flier for one of Calloway’s shows–a small, blue poster that had mysteriously upset his mother shortly before she died–Bud sets off to track down his supposed dad, a man he’s never laid eyes on. And, being 10, Bud-not-Buddy gets into all sorts of trouble along the way, barely escaping a monster-infested woodshed, stealing a vampire’s car, and even getting tricked into “busting slob with a real live girl.” Christopher Paul Curtis, author of The Watsons Go to Birmingham–1963, once again exhibits his skill for capturing the language and feel of an era and creates an authentic, touching, often hilarious voice in little Bud. (Ages 8 to 12) –Paul Hughes